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␈↓ α∧␈↓␈↓ ε↔82␈↓ 
T


␈↓"β␈↓ α∧␈↓␈↓ αdThe␈α∞motive␈α
heard␈α∞in␈α∞bars␈α
17-20␈α∞is␈α
continued␈α∞in␈α∞bars␈α
21-24
␈↓ α∧␈↓as␈α∞an␈α∂elaboration␈α∞of␈α∂a␈α∞diminished␈α∂7th␈α∞chord.␈α∂ There␈α∞is␈α∂little␈α∞basis
␈↓ α∧␈↓for␈α∂settling␈α∂on␈α∂any␈α∂one␈α∂tonic,␈α∞although␈α∂␈↓&d␈↓)αβ␈α∂or␈α∂␈↓&f␈↓)αβ␈α∂would␈α∂seem␈α∂to␈α∞be
␈↓ α∧␈↓indicated␈αby␈αthe␈αnotation.␈α For␈αthe␈αfinal␈αanalysis,␈α␈↓&f␈↓)αβ␈αwill␈αbe␈αchosen
␈↓ α∧␈↓because␈α⊂the␈α⊂tonics␈α⊂involved␈α⊂in␈α⊂the␈α⊂last␈α⊂part␈α⊂of␈α⊂the␈α⊂variation␈α∂all
␈↓ α∧␈↓stand in simple relation to that tonic.

␈↓"β␈↓ α∧␈↓␈↓ αdAll␈α∞the␈α∞subtleties␈α∞of␈α
the␈α∞alternating␈α∞progressions␈α∞at␈α∞bars␈α
9-
␈↓ α∧␈↓13␈α∂and␈α⊂25-28␈α∂would␈α∂be␈α⊂difficult␈α∂to␈α∂express.␈α⊂ In␈α∂the␈α⊂first␈α∂phrase
␈↓ α∧␈↓the␈αapproach␈αto␈α␈↓&d␈↓)αβ␈αas␈αa␈αtemporary␈αtonic␈αseems␈αclear;␈αand␈αthat␈αthis␈α␈↓&d␈↓)αβ
␈↓ α∧␈↓should␈αbecome␈αmajor␈αand␈αthe␈αdominant␈αto␈α␈↓&G␈↓)αβ␈αis␈αquite␈αconventional.
␈↓ α∧␈↓The␈α∞unexpected␈α∂appearance␈α∞of␈α∞the␈α∂C␈α∞chord␈α∞at␈α∂bars␈α∞11␈α∞and␈α∂12␈α∞has
␈↓ α∧␈↓the␈α⊃effect␈α⊃of␈α⊃prematurely␈α∩wrenching␈α⊃away␈α⊃the␈α⊃tonic␈α⊃role␈α∩of␈α⊃d.
␈↓ α∧␈↓Because␈α of␈α!the␈α alien␈α surroundings,␈α!this␈α C␈α chord␈α!is␈α most
␈↓ α∧␈↓immediately␈α
heard␈α
as␈α
a␈α
sudden␈α∞return␈α
to␈α
the␈α
I␈α
which␈α∞might␈α
have
␈↓ α∧␈↓been␈αexpected␈αafter␈αthe␈αclear␈αV␈αof␈αbar␈α8.␈α Then␈αthe␈αC␈αchord␈αworks
␈↓ α∧␈↓as␈α
a␈α
quite␈α
normal␈α
pivot␈α
to␈α
a␈αfull␈α
cadence␈α
on␈α
V␈α
(␈↓&G␈↓)αβ),␈α
which␈α
may␈αbe
␈↓ α∧␈↓listed briefly as a new control tonic at bar 15.
␈↓"β
␈↓"β␈↓ α∧␈↓Figure 74c
␈↓"β␈↓ α∧␈↓␈↓ βN␈↓¬⊂⊗⊃L[%0.03,%-3.25]:74FC.PLT[HHA,LCS]⊂⊗⊃␈↓